{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/en\/","author_name":"Philippe Langlois","author_url":"https:\/\/www.ensembleintercontemporain.com\/en\/author\/philippe-langlois\/","title":"Cr\u00e9ation musicale et cin\u00e9ma 2\/2 - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"5xB1odVfeC\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/en\/2011\/07\/creation-musicale-et-cinema-22\/\">Cr\u00e9ation musicale et cin\u00e9ma 2\/2<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/en\/2011\/07\/creation-musicale-et-cinema-22\/embed\/#?secret=5xB1odVfeC\" width=\"600\" height=\"338\" title=\"&#8220;Cr\u00e9ation musicale et cin\u00e9ma 2\/2&#8221; &#8212; Ensemble intercontemporain\" data-secret=\"5xB1odVfeC\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2011\/07\/DSC_0360_une2.jpg","thumbnail_width":464,"thumbnail_height":237,"description":"Deuxi\u00e8me partie de l&#8217;article de Philippe Langlois sur les relations entre la cr\u00e9ation musicale et le cin\u00e9ma. Voir la premi\u00e8re partie de cet article\u00a0 ici. La musique de films en tant que nouveau genre musical A la question\u00a0: \u00ab\u00a0le film sonore engendrera-t-il de nouvelles tendances musicales\u00a0?\u00a0\u00bb Edgard Var\u00e8se r\u00e9pond en janvier 1930\u00a0que \u00ab [Le cin\u00e9ma], [&hellip;]"}