{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/en\/","author_name":"Martin Kaltenecker","author_url":"https:\/\/www.ensembleintercontemporain.com\/en\/author\/martin-kaltenecker\/","title":"Tremplin-Cursus 2 - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"FLEnRnVKe2\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/en\/2010\/09\/tremplin-cursus-2\/\">Tremplin-Cursus 2<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/en\/2010\/09\/tremplin-cursus-2\/embed\/#?secret=FLEnRnVKe2\" width=\"600\" height=\"338\" title=\"&#8220;Tremplin-Cursus 2&#8221; &#8212; Ensemble intercontemporain\" data-secret=\"FLEnRnVKe2\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2010\/07\/tremplin42.jpg","thumbnail_width":464,"thumbnail_height":237,"description":"Michael Pelzel, compositeur suisse n\u00e9 en 1978, se souvient d\u2019avoir \u00e9t\u00e9 tr\u00e8s attir\u00e9 \u00e0 ses d\u00e9buts par les \u00ab\u2009sonorit\u00e9s ductiles et fascinantes\u2009\u00bb de l\u2019\u00e9cole spectrale. Creusant cette esth\u00e9tique chez Georg Friedrich Haas, il retrouvera ensuite chez Detlev M\u00fcller-Siemens \u00ab\u2009l\u2019attitude si allemande, qui vient sans doute d\u2019Adorno, de trouver suspect tout ce qui est trop beau. [&hellip;]"}