{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/en\/","author_name":"Pierre-Yves Mac\u00e9","author_url":"https:\/\/www.ensembleintercontemporain.com\/en\/author\/pierre-yves-mace\/","title":"Passaggio, une messe en sc\u00e8ne - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"RlPno2piFg\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/en\/2009\/04\/passaggio-une-messe-en-scene-accents-n-38\/\">Passaggio, une messe en sc\u00e8ne<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/en\/2009\/04\/passaggio-une-messe-en-scene-accents-n-38\/embed\/#?secret=RlPno2piFg\" width=\"600\" height=\"338\" title=\"&#8220;Passaggio, une messe en sc\u00e8ne&#8221; &#8212; Ensemble intercontemporain\" data-secret=\"RlPno2piFg\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2010\/06\/passagio38.jpg","thumbnail_width":464,"thumbnail_height":267,"description":"En l\u2019espace d\u2019\u00e0 peine plus d\u2019une demi-heure, c\u2019est \u00e0 une v\u00e9ritable remise \u00e0 plat des codes de la repr\u00e9sentation th\u00e9\u00e2trale que nous convient Luciano Berio et son librettiste le po\u00e8te Eduardo Sanguineti pour leur \u00ab action sc\u00e9nique \u00bb Passaggio (1961-1962). Le spectateur n\u2019y trouvera aucun moyen d\u2019assouvir le besoin d\u2019\u00e9vasion qui parfois le pousse au [&hellip;]"}