{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/en\/","author_name":"Bruno Serrou","author_url":"https:\/\/www.ensembleintercontemporain.com\/en\/author\/bruno-serrou\/","title":"[solo] Fr\u00e9d\u00e9rique Cambreling, harpe - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"BMVHSUHjad\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/en\/1998\/09\/solo-frederique-cambreling-harpe\/\">[solo] Fr\u00e9d\u00e9rique Cambreling, harpe<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/en\/1998\/09\/solo-frederique-cambreling-harpe\/embed\/#?secret=BMVHSUHjad\" width=\"600\" height=\"338\" title=\"&#8220;[solo] Fr\u00e9d\u00e9rique Cambreling, harpe&#8221; &#8212; Ensemble intercontemporain\" data-secret=\"BMVHSUHjad\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"La harpiste Fr\u00e9d\u00e9rique Cambreling, qui donnait en juillet au Festival de Saintes la Sequenza de Berio, est \u00e9galement l\u2019interpr\u00e8te d\u2019une \u0153uvre nouvelle de Pierre Boulez, sur Incises, pour trois pianos, trois harpes, trois percussions, en cr\u00e9ation mondiale au Festival d\u2019Edimbourg le 30 ao\u00fbt, puis \u00e0 la cit\u00e9 de la musique le 29 octobre, pour la cr\u00e9ation fran\u00e7aise. Elle nous livre ici quelques \u00e9tapes d\u2019un parcours passionn\u00e9."}